As some of you may be aware, I was one of the many people who worked on Anticipation, the just-ended WorldCon. My main job was that of doing the layouts for the Souvenir Book, which had the added entertainment value of being in English and French. The coommittee didn't want an Ace Double-style book with French on one side and English on the other; noooo, that would have been easy! Instead, they wanted the English and French to run side by side. This presented certain difficulties, since French is 25% wordier per average chunk o' text than English. So I played with various fonts and weights, and eventually settled in ITC Weidemann, medium weight for the English and book weight for the French. Overall, it balanced out pretty well. It was a lot of work, but an engaging and (in the end) fun challenge, and I am looking forward to seeing the final product at some point.
My other job (since no one ever does one thing for a WorldCon) was working with NPulsifer on the Hugo Administration Committee. My main activity was, once again, design: I created the nominating and final ballots (bilingual? Mai oui!), and the items related to the awards ceremony: the certificates of nomination, the envelopes with the nominees printed on them, and the "Winner is" cards. So I was one of the five people on the planet who knew the winners for the last month, which made things interesting, particularly when I read that Charles N. Brown had died on the way home from Readercon in July. Especially with the vote on eliminating the Best
Locus Semiprozine coming up at the Business Meeting (it failed, by the way, before the Hugo Awards ceremony).
But that's not what I want to talk about. The person running the ceremony, Ian Stockdale, had asked for dummy winner cards for the presenters to practice with. I asked Ian how much fun I could have with them, and he mentioned the GoHs would be reading them, so I sadly abandoned my plans to give the short fiction awards to Ernst Hogan's classic trilogy (only two of which are real, as far as I know): "The Frankenstein Penis," "The Dracula Vagina" and "The Werewolf Rectum (Rectum? Killed the Sumbitch)" and came up with a mostly harmless set of cards, with fake titles and dead authors (though I did give
Proud Flesh the Best Fanzine nod).
But there was one Easter egg. I had no idea how it would work or be received, but NPulsifer let me know earlier this evening:
So we all were at the rehearsal of course. They were blocking some
stuff and what not, then Neil showed up so they rushed forward so he
could practice his bit.
He pops open the the first envelope and reads Award for best
professional artist is: Amanda F. Palmer. About half those in the room
(100 people or so) laugh. He just stare dumbfounded at the card.
He then read out the best editor card (Some guy who I didn't
recognize, but who had been dead for a long time and somebody shouted
that fact up to him. Very nice.) Dumb luck that he got the best
artist one, but...
During the ceremony Diane, Ruth and I were back stage. Ruth handing
cards and Diane and I staging trophies. (Tanya was back there as well
and because of the glut of trophies for BDP long and short, she got to
carry one of the trophies on stage.) So best Graphic Story comes up
and Neil is kind of pacing around. I sidled up to him and said,
"Promise this one won't say Amanda F. Palmer." and he replies "That
was so funny!"
For those who don't know, Neil is currently dating Amanda, who is the co-founder of the band Dresden Dolls, and an incredibly talented singer/songwriter/performer. She refers to herself on her blog and elsewhere as "afp," which stands for "Amanda Fucking Palmer." I do hope he was able to get that particular card and take it home as a souvenir. Just wish I could have been there to see it.